One of Tini’s first departure points on capturing data on biomusic stems from the idea of silence and the silenced. While Tini does not specifically aim to anthropomorphised, or to translate these data to a language that human minds can comprehend, her base practice as a sound designer, seeks to use technology to measure the galvanic conductance in living beings, a form of bio-electricty and transform that data into sound for deep listening, contemplation and understanding. The symbol of contemplation and deep soundlessness is something she values in their sound practice and appreciates the idea of a negative space between the memory of a sound heard and the anticipation of the next sound.