Seulki Ki treats photography as a main medium, and has explored its reproducibility and limitations in forms of books, videos, and installations. Intrigued by body gestures, language, and collisions between them, she finds and assembles replacements that can actualize her flow of thoughts. She endows a character to the visible, weaves the relationships of elements, reverses the flow of time, moves through space, and she manages to mediate the viewer’s thought flows. Her work alone stays as evidence in this whole process, induces different interpretations than usual ones, and activates psychological mechanism to associate related concepts.