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How do you describe an artist who defines his work as being somewhere “between impossible to describe and conceptual”, who rejects the category of the unnatural, and maintains that evolution cannot be held in check?
The individualist Johann Zetterquist is definitely not an aesthetic privateer. The sketches he is showing at the Künstlerhaus are “proposals (for public art)”. These are designs for public places, even if the projects suggested sometimes adopt the character of autonomous, surreal installations. The lanes of a sketched motorway junction, for example, end in water, because the conceived traffic construction almost completely covers a small-scale island: this is overgrown by artistic feeder roads and exits, a network overrunning the entire surface.
Or is the viewing tower, which - crowned by a parking platform – recommends itself for the more romantic moments of automobile life, more realistic?
Certainly these designs make a determined attempt to iron out the differences between the artificial and the natural. Zetterquist sees nature as art and art - equally clearly – as nature. An insight that is illustrated, naturally, in Zetterquist’s exhibition. (Opening: 21.8.)

This year Künstlerhaus Bethanien is again supporting the "kunstherbst", a large-scale Berlin offensive presenting art in the context of the Art Forum. Within the framework of the "Kunstherbst > 03", therefore, there will be a guided tour through Künstlerhaus Bethanien at 12 noon on Sunday, 28th September (Ch. Tannert/B. Kremer).

(Reservations at the Kunstherbst project office)

Attila Szücs (Hungary)
26.9.– 12.10.2003
Opening: 25.9.


Irwin : Retroprincip
1983-2003
26.9. – 26.10.2003
www.irwin-retroprincip.de
Opening: 25.9.



Künstlerhaus Bethanien
at the
ART FORUM BERLIN
30.9.– 5.10.2003
Vernissage: 30.9.

In 2003, Künstlerhaus Bethanien’s booth at the fair will be designed by Roland Boden.




It is not unusual for artists to adapt found photographs from the natural world in their work. But it is something out of the ordinary when this develops into the pictorial biography of an ape.
Cor Dera did not only do research at Berlin Zoo for his work produced at the Künstlerhaus. He was also given access to the comprehensive picture archive owned by Raimon Opitz, the man responsible for the apes.
Dera follows his own method of creating a balance between the observation of nature and artistic construction; in his project, he focuses on one particular natural actress, the female gorilla "Dufte". Dera is showing a selection of c. 120 pictures which he chose from Raimon Opitz’ collection after detailed discussion, and then arranged in his own digital archive. After this, the artist processed the pictures and used them to produce a series of laser prints in three different sizes.
(Opening: 21.8.)

 [2003]  [2004]  [2005]  [2006]  [2007]  [2008]  [2009]  [2010]  
 de en
2010-07-22
Eröffnung/Opening:
Chua Chye Teck
2010-07-22
Eröffnung/Opening:
André Romão
2010-06-11
Künstlerhaus Bethanien RELAUNCH:
Kottbusser Str. 10, 10999 Berlin
2010-06-11
Eröffnung/Opening:
Patrick Bernatchez
The relocation of Kuenstlerhaus Bethanien is made possible by:

Impressions from Künstlerhaus Bethanien's new premises


Romeo Gongora
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